1-06 Dai Gyakuten Saiban ~ Court Begins The best theme we've got, in my opinion. It's filled of emotion, majesty and duty. Seriously, you can't beat 1:04 onward.
1-12 Great Cross-Examination ~ Allegro I dare say it's the best variation we've got in a while, and the added section is perfect. Needless to say it uses my favourite Nobuo Uematsu chords <3
1-13 Naruhodou Ryuunosuke ~ Objection! Ever since the first trailer, I knew this objection theme was perfect in every way. I fell in love with 0:31 the first second I heard it. It really is fitting for a Great Turnabout
1-22 Core Again, ever since I first heard it in the ripped tracks, I KNEW this was the Core theme by far. Back to the roots of AA1, and even better! The instrumentation is astounding as well. Like, legato strings at 0:17 onward, so good. What else can you ask for?
1-25 Investigation Once I knew Core was affectively Core, I also spotted this great Opening/Crime Scene track. I love how burlesque and serious at times it is. It's such a great juxtaposition which does work really well!
1-26 Joint Reasoning (TYPE A) We all know why this one's here
1-28 Joint Reasoning (TYPE B) My favourite Joint Reasoning theme by far. I think this one should've TYPE C, but that aside, it really feels like you're getting somewhere. The strings are great from the beginning, so full of tension, and the added part at 0:41 is completely magnificent as well.
1-34 Jingle ~ Interlude This is a short one, but I love how fitting the Dai Gyakuten Saiban main motif is for this one!
2-03 Theme of Deduction ~ Beyond Reasoning We needed one of these in the saga! It's so great in many ways. So climactic and thought-provoking! Specially love the part at 0:44, it's so beautiful and really lets you get a glimpse of Sherlock's wonderful mind from what you guys've told us!
2-06 Jingle ~ Reasoning Complete! IT'S PERFECT! The way it is, the moment it plays, GAH!
2-10 Closing Argument Extremely fitting! The instrumentation is perfect for the situation, and the composition is screaming "this is your last chance and everyone's against you; they may not change their minds, but make it count!"
2-26 Dai Gyakuten Saiban ~ Verdict YES! A THOUSAND TIMES YES! It's emotional, it's tragic, it's majestic, it's everything you can ask from a track like this. We definitely needed a track like this, just like we needed the Theme of Deduction.
2-32 Ending Suite ~ The End of the Adventure Once again, we've got a true masterpiece over here. After such a ride, one can only ask for this! It's completely representative of the ordeal Ryuunosuke has endured. Also 0:46 to 1:02, rings a bell? That's right! My favourite part from the Objection theme! 2:03 onward is awesome as well, so beautiful, specially from 2:21 an when the high strings pop in, it's just too beautiful. But 2:44 is even better! It just keeps going on and on, whenever you think you've found a great part of the song, here comes an even better one! There's just so much I could say about this track, it really takes you in for a ride, and I will outright say it: this is in my opinion the best Ending theme we have ever gotten in the Ace Attorney series.

1-09 Asougi Kazuma ~ Messenger Samurai Honestly, I love the instrumentation, and emotion it transmits is completely spot-on.
1-19 Elegant ~ and Excellent I'm not going to say much about the theme, but I really like how the composer used the stacattos in this one. Overall it's really nice
1-20 Mikotoba Susato ~ The Flower Blooming in the New World Wasn't really fond of this one at first, but then I started recognizing clear references to Maya. I think it's my favourite character theme now. It's so full of nostalgia and I really like all the different emotions it tries to convey without overdoing it.
2-09 Barok van Zieks ~ Death God of the Old Bailey Definitely the best theme we've got for a prosecutor, better than Blackquill at least. It's full of dread and majesty, but I especially like the truly tragic part from 1:14 onward.
2-13 London Not really a character theme per-se, but hey it's so representative and beautiful! Specially love 0:47 to 1:08. I hated how that bit was cut off from the track preview T^T
2-14 Tobias Gregson ~ Rivals of the Great Detective Really like everything in this one! Sure, it's not my favourite by far, but knowing some details about the character, it really is fitting! It really takes you on a ride at some moments.
2-16 Natsume Souseki ~ I am an Innocent I just LOVE 0:44! I cannot overlook tracks which use that succession of chords. It really is representative of this track's name, "I am an Innocent", it really makes you feel bad.
2-22 The Great Detective's Melancholy MMH YES GIVE ME MORE. Just kidding. What is this even doing here

2-27 Pursuit ~ Time for a Great Turnabout I don't know how to feel about this. I feel it lacks something, and it's a little too burlesque for the court. If you take the first 30 seconds out, it's perfect. From 0:29 onward, it's probably one of the best Pursuit themes, and actually, from the game files, I thought we would get that variation! But as it stands, I'm not too fond of it with the beginning. But as I said, 0:29-1:28 makes it a big contender for best pursuit theme were it not for the beginning.
1-15 Confess the Truth (Adventure Edition) Similar problem to the Pursuit theme, but the other way around. My favourite themes from the series are the Announce the Truth themes, and this one I thought would be perfect. The first half is just so perfect! We finally get a huge revelation theme that conveys it even better than the rest! But then, that tiny bit on 1:17-1:25... Hm... It just somewhat kills the mood for me. Announce the Truth is not supposed to be a build-up... Announce the Truth is supposed to have a quiet moment which represents the realization and moment of insight the characters are going through, but no. The composer had to turn into another direction... I'm really sad because as I said, the first 1:17 is perfect for an Announce the Truth. But as it stands... *sob*

Especially 2-13.

1-29. Reasoning War. I don't know where else in the game this played in, BUT THIS IS A DAMN GOOD FINAL EXAMINATION THEME.

I've still been listening to the OST very extensively to get a good grasp on what the new composers have to offer, and I haven't been disappointed with this track. It's a tiny detail, but I think the new perspective is really worth it. In this particular track, I love to think there's a dialogue between the strings and the harpsichord which was completely intentional. This constant back and forth between the strings and the harpsichord, and later the strings and the brasses is a perfect representation of what the situation is like. The strings, constantly changing the way they play and how desperate they become halfway-through narrates how Ryuunosuke is trying to analyze every opportunity to avoid a guilty verdict from different angles. The harpsichord is perfect for the elegance of the english court and jurors, and notice how the harpsichord never ever changes what it plays, reflecting how the jurors have apparently made up their mind and are unwilling to change their verdict. I guess the brasses do still represent the jurors when the debate heats up and when the strings and brasses play on top of each other it just helps that cause so much!

...What? What the heck did you just said just now? None of us, or at least, I couldn't understand a thing what you're saying. And also, it looks like you were trying to spoiler-tag the "Disappointing tracks" and "Top 5 tracks" part. I'm sorry, but that wasn't the correct way to spoiler tag.

Too bad he... No, wait, DGS2 is gonna show he's faking it, right? I dun care if he comes back a villain; this case's cause of death is so... unsatisfying. ;w;