Set made by Bolt_Storm. Shanks.
Gender: None specified
Location: Ireland.
Rank: Desk Jockey
Joined: Sat Mar 03, 2007 10:44 am
Posts: 92
Right, in both a bump while one is still allowed and in plea for the supposed continuation, I'm importing my own review to here. Essentially, I'll echo what everyone below me has said in my own words ('cept I haven't seen the original work, so this is commenting on the revision). In general, I like this story, and am almost fearful I'm too soft and appreciative in this.
Firstly, the description in general. At the opening, you capture the atmosphere of Global Studios after the murder incident realistically, and with flare - augmented solidly by Penny's position, a meek assistant, in all of this.
"The new faces, new actors, new ideas flooding through the studio were almost suffocating, enough to keep a girl like Penny’s head swimming as she got lost in the crowd." - That more or less got me hooked. You also manage to also create an appropriate atmosphere, tension (and lack of when fitting) for each scene.
The social confusion between Penny and Adrian - one almost fearful of the other, for either their own standing or what they aspire to be. I don't know where you got the idea to have these two characters face off, but girl, that is a gold-mine waiting to be tapped.
The centre of my own adoration in this chapter is Penny. Penny completely steals the show here. I mean that as positively as possible. Not only are her original and obvious traits from the case present, you've opened up a whole side to her character I never thought into before: I couldn't have done it as well as you here. We all know her as the shy, helpful, and a fangirl who suppresses her glee, but in this story it's taken a step further:
For one, (and this is a long bit) there's the side of herself which she seems to deny: the rebellious minx eager for knowledge. This is made best clear when Penny goes to eavesdrop: Penny childishly convinces herself that she's not, or that the info wormed its way to her rather than the reverse.
"(not that Penny eavesdropped, of course she wasn’t that sort of girl, she was just listening for new news about the Nickel Samurai and accidentally hearing other things, that was all)" aroused a pleasant smirk from me. She must have done a good job of hiding that side of her from me the first time: I felt hinted at, but you flushed that out for me. Thanks.
How Penny stands against someone as outwardly strong, prim and retained as Adrian is both endearing, realistically natural, and both upsetting (in the good way). You made Penny very versatile too, if I might add, in that she can have her dark moments like everyone else: here, Penny *understands* how socially awkward her own being is, how people frown upon the idea of a young adult fandomizing (yeah, that's not a word) a kid's show. She still has the courage to be herself, yet that doesn't stop her from feeling prickling doubt and uncertainty at times, especially when it comes to proving herself to a superior. That feeling of insignificance Adrian (accidentally, as is later confirmed) creates for Penny is hard to swallow, and almost impossible without a hard face for Penny.
The scenes are organised appropriately: they're believeable in setting and occurrances, and the interaction between the two stars of the story. The irony in Penny's imitation of Adrian is fleshed out convincingly, with reason, "fluff" as you put it [then again, that ain't my area of expertise], and melancholy.
Finally, the way she reflects upon Adrian's life is a revelating contrast.. Admittedly, the final scene between the two from Adrian's perspective gives me a chill, especially the final few lines. How innerly cold Adrian behaves with herself is quite worrying. I think you got how she coped in an exciting light: she strives to be nothing less than Celeste Mark. II, and how she hates herself for struggling so hard to be Celeste in her absence (not outright stated, but that's the vibe I got), and that Celeste wouldn't struggle at all: Adrian can't find it in her to be her own person at this stage in her life, and that in itself is a tragedy. Though not nearly as much as Corrida or Engarde. Penny's purpose here - as an awakening, a realisation of what she's possibly become: what she hates - is what Adrian needed.
"In her mind, Adrian’s hands tied a rope around someone’s neck. Out of the corner of her eye she saw Penny gasping and reaching for her but it didn’t matter because she was falling and clutching and letting go and holding on and letting go again.
I’m not Celeste.
I’m Matt."
Yeah, I'm not certain how to phrase that other than it gave me a shudder and something to think about. Which I have.
Right, I hope that's all I wanted to say. I hope you appreciate the review and whatnot. So, about those extra chapters you said you might do...I have a box of cookies with your name on them if they're finished by the coming month. My treat.